It is really an interesting indisputable fact that usually hottest subculture is cooked up by somebody who seeks profit only, and after that is fed to some hungry young crowd of fans. It’s not forever the situation in Japan, though. The art is good for the art’s sake is exactly what comic market followers are craving for.
Yoshishiro Yonezawa, a novelist, critic and a passionate supporter of popular manga subculture, created an idea of founding an enterprise, market which is to be open for the non-professional manga artists who form their particular circles called doujinshis to create manga mimic artwork and magazines (which might be called doujinshis, too). The thought became very popular as Comiket, the most important comic market on the globe, takes place in Japan twice yearly for several days in a row each time in the winter months as well as in summer. There are many than 35 thousand circles collaborating in addition to over half one million attendees.
It’s a space where freedom of expression is preached on the massive, and organizers never dreamed of so large a hit of these creation. Before Comiket, the younger generation who studied in senior high school or university, taken part in comic markets as amateurs, and ceased to sign up after graduation. But in mid-seventies this changed drastically. It came to be not only a hobby, but a lifetime passion, as much artists got appreciation and followers due to a growing interest in doujinshi phenomenon. There are many than 2,000 doujinshi markets happening in Japan each and every year, and Comiket is in no way the most used one.
The idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China and even U . s .. The quantity of doujinshi circles mushroomed as markets provided great opportunities to get a large numbers of amateur artists and mangakas (manga artists).
At the start the predominant a part of doujinshis creators were women, about eighty per cent. From the 1980s more males became interested, and after this the ratio appears to be favor female artists only slightly.
We conclude that doujinshi can be a visual cultural phenomenon which is shaped mostly by youth, yet its meaning and consequences are of global importance.
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