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Sabrina Ho looks to Macau art fairs and auctions to diversify economy away from casinos

As pressure grows on Macau to find new sources of revenue, scion of casino dynasty imagines some other future for the other SAR
Sabrina Ho Chiu-yeng does what she could to aid Macau diversify. The 26-year-old daughter of Stanley Ho Hung-sun could be higher quality for gracing society and entertainment pages, but also in January she organised the very first Macau sales by China’s state-owned Poly Auction and then in November held her own annual hotel art fair, having already launched an exhibit in promoting the job of young art graduates in September.


“Macau is beginning to change,” she tells The Collector. “We don’t wish to rely just about the gaming industry. We wish more families ahead for holidays, we want to boost our cultural and inventive industries.”
This is a politically correct view for the daughter of a casino magnate. Macau influences cross hairs of Beijing’s war on corruption and capital outflow. The central government started urging the city to stop its being hooked on the gaming sector, the taxes from where buy most public expenditures, back throughout the boom years, once the “build it and they can come” mentality ruled the casino industry. Today, mainland policies to discourage high rollers joined with a slowing economy have increased the pressure to find new revenues.
Fundamental change continues to be slow ahead. Five casinos have opened since 2012 plus more take presctiption the way, including two from branches with the Ho empire – the Grand Lisboa Palace, led by Ho’s mother, Angela Leong On-kei (Stanley’s so-called “fourth wife”), and MGM Cotai, headed by Sabrina ho‘s half-sister Pansy Ho Chiu-king.

So might be Sabrina’s cultural endeavours all just a little of sentimental public relations for the clan?
Well, China’s biggest ah is treat­ing her seriously, and hopes her youthful energy and family connections may help it get into a brand new and wealthy market where no international house features a presence. Inturn, Ho says, sherrrd like the auctions to aid attract tourists and maybe encourage the city’s 600,000 residents to produce really an interest in culture. The partnership, called Poly Auction Macau, is 51 % owned by Poly as well as the rest by Ho’s company, Chiu Yeng Culture.
Ho grew up encompassed by art and also other collectables owned by her parents but she actually is a novice to the auctions business. After graduating by having an arts degree from the University of Hong Kong, in 2013, she worked on the branding and marketing side with the family’s hotel and property businesses. “But I like art i asked Poly only could work part time in their Hong Kong office, to discover the auction world,” she says.
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